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The indispensable sage, fierce enemy, silent sidekick: the role of Native Americans in film has been largely confined to identities defined by the ‘white’ perspective. Many studies have analysed these simplistic stereotypes of Native American cultures in film, but few have looked beyond the Hollywood Western for further examples. In this incisive study, distinguished film scholar Edward Buscombe examines cinematic depictions of Native Americans from a global perspective.Buscombe opens with a historical survey of nineteenth-century visual culture – from dime novels to Wild West shows on stage. He explains how, in the early years of film-making, many Westerns were sympathetic to Native Americans. Yet, by the 1920s, if Native Americans appeared on screen at all they were invariably hostile. Questioning the implicit assumptions of prevailing critiques, Buscombe looks abroad to reveal a distinctly different portrait of Native Americans. He focuses on the lesser-known Westerns made in Germany – such as East Germany’s Indianerfilme, in which Native Americans were Third World freedom fighters battling against Yankee imperialists. These alternative portrayals of Native Americans offer a vastly different view of their cultural position in American society.'Injuns!' is an original, cogent account of the cultural images of Native Americans through history and around the globe, revealing new and complex issues in our understanding of how indigenous peoples have been represented in mass culture.
- Sales Rank: #1533046 in eBooks
- Published on: 2012-07-11
- Released on: 2012-07-11
- Format: Kindle eBook
Review
"Buscombe's fresh insights and fascinating research deconstruct the celluloid savage to a fare-thee-well. Especially illuminating are the accounts of those who played the roles--white actors, Native Americans and imposters--and the construction of the 'Injun' in Europe's Westerns. A valuable addition to the genre's bookshelf." (Jim Kitses, San Francisco State University 2006-05-10)
"Deftly demonstrates that the motion-picture industry did not originate the image of the uncivilized savage; rather movies built upon a tradition that had been established in the centuries before. This is an accessible, informative, and original work by an author who has a masterful command of the subject. Essential." (T. Maxwell-Long Choice 2007-05-01)
"Buscombe has done an admirable job in a brief space of tracing the origins of various immages of Indians in the western." (Journal of American History)
"Buscombe's strength lies in the way he locates the cinematic images in the larger cultural discourse about Indians, rather than focusing only on the movies. Moreover, his clear, engaging, and jargon-free style helps make his survey a useful resource both for the general public and for students." (S. Elizabeth Bird Great Plains Quarterly)
About the Author
Edward Buscombe was formerly head of publishing at the British Film Institute. He is the editor of The BFI Companion to the Western and the author of John Ford’s"Stagecoach," The Searchers, and Cinema Today.
Most helpful customer reviews
0 of 1 people found the following review helpful.
A Big Disappointment.
By N. Kader
No in depth analysis of why the 'injun' image persists throughout American and European history. This book is more of a chronicle of the Indian as portrayed in American and European art and film. This book was incredibly disappointing as I was looking for a harder read but if someone is only looking for a summary of Indians in film or perhaps a filmography, this is where to start.
The delivery of the book was prompt and it was in pristine condition. No disappointments there.
0 of 1 people found the following review helpful.
Informative
By Wildflower
Informative, makes you look inside what is or isn't going on in Hollywood. I used it as a source for an English essay and it was quite helpful.
0 of 1 people found the following review helpful.
Three Stars
By russell
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